Somewhere in the 90's, the cinematographic genre of historical drama started to disappear. Bombastic entertainment took it's place; the commercial place of any respectable, intellectual-alike superproduction, in continuity with classical, important literature ( 0 ) ( 9 ) ( 8 ) ( 7 ) ( 6 ) ( 5 ) ( 4 ) ( 3 ) ( 2 ) ( 1 ).

Suddenly, it was easier to believe that wanting enough was the solution to all the human affairs, in a moto-perpetual, unthermodynamic world of energies, motivations and achievements.

– ( Ah! Quite discouraging to say that ) You just look ridiculous considering yourself to be a superhero we don't need – even in just a mental, mindset, pseudospiritual abstraction of common western values. YOU actually are amateurish, illiterate and unprofessional, kitsch by comparison!

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Love, hate, and indifference, were all happening down on Planet Earth. [...] And still he insisted that reinforcing that sorta popular(esque) notion was the solution to the audience problem. Audiences saw a mirror to the foolishness it was, instead.